Music Video Title: I Like – Debbie.
Shot No.
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Scene No.
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INT or EXT.
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Location.
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Shot Description.
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Support.
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Dialogue/ Sound.
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Description.
(Lyrics and Lip- syncing.)
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1
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1
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INT.
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Bedroom.
|
A LS of Debbie on her bed writing in her
diary.
|
Tripod.
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Little Speech Interlude.
Background Music.
|
Music in Background.
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2
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1b
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INT.
|
White Room. (Bedroom)
|
High Angle Shot of the leading man.
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Handheld.
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Little Speech Interlude.
Background Music.
|
Music in Background.
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3
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1c
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INT.
|
Bedroom.
|
MS Of Debbie On Her Bed Writing In Her
Diary.
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Tripod.
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Little Speech Interlude.
Background Music
|
Music in Background.
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4
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2
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EXT.
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Gazebo.
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CU of the couple holding hands Into Movement
Shots.
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Tripod.
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Music.
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Music starts to play.
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5
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2a
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INT.
|
Bedroom.
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MS Of Debbie On Her Bed Writing In Her
Diary.
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Tripod.
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Little Speech Interlude.
Background Music
|
Music in Background.
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6
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2b
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EXT.
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Gazebo.
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CU of the couple holding hands Into
Movement Shots.
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Tripod.
|
Music.
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When you come tonight, squeeze me tight
Hold me close, kiss my cheek, caress my
soul.
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5
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2a
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EXT.
|
Gazebo.
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MS of the group having fun.
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Tripod.
|
Music.
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Music in Background.
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6
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2b
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EXT.
|
Gazebo.
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LS of Debbie by herself lip syncing.
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Tripod.
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Music.
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Take good care, stroke my hair, make me
blush
Go so deep that my hymen is fucked.
(Lip syncing.)
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7
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2c
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EXT.
|
Gazebo.
|
MS of Debbie by herself lip syncing.
|
Tripod.
|
Music.
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You know it's been some time since I've
tried guys this young
Not too many of 'em are honest
(Lip syncing.)
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8
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2d
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EXT.
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Gazebo.
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MS of the couple in embrace.
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Tripod.
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Music.
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But he holds it down, stands his
ground, play his move
Doesn't rush to get into my body
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9
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2e
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EXT.
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Gazebo.
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CU of Debbie lip syncing
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Tripod.
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Music.
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And that's that shit that I like, like,
like, like, like
(Lip syncing.)
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10
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2f
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EXT.
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Gazebo.
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Various Shots of the group having fun.
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Tripod.
|
Music.
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A man who can open my mind, a man who
can open mind.
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11
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2g
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EXT.
|
Gazebo.
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MS of Debbie lip syncing. With
flashback of the scene.
|
Tripod.
|
Music.
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Is it wrong that I really, really,
really, really want you?
(Lip syncing)
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12
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2h
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EXT.
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Gazebo.
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LS of Debbie lip syncing. With Scott
coming up to sit next to her.
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Tripod.
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Music.
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And there's no need to ask, you feel it
too.
(Lip Syncing)
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13
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3
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INT
|
Bedroom.
|
MS of Debbie on the bed lip syncing.
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Tripod.
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Music.
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Do you,
Music in Background.
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14
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3a
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EXT
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Gazebo.
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MS of Debbie on the steps lip syncing.
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Tripod.
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Music.
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do you,
(Lip Syncing)
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15
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3b
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INT
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White Room. (Bedroom)
|
Ms of Debbie lip syncing.
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Tripod.
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Music.
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Do you feel it?
(Lip Syncing)
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16
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3c
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EXT.
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Gazebo.
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MS Debbie looking up
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Tripod.
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Music.
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do you,
(Lip Syncing)
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17
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3d
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INT.
|
Bedroom.
|
MS Debbie looking up
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Tripod.
|
Music.
|
do you,
(Lip Syncing)
|
18
|
3e
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INT.
|
White Room. (Bedroom)
|
MS Debbie lip syncing.
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Tripod.
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Music.
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Do you mean it?
(Lip Syncing)
|
19
|
3f
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EXT.
|
Gazebo.
|
LS of Debbie
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Tripod.
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Music.
|
Do you,
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20
|
3g
|
EXT.
|
Gazebo.
|
MS Of Debbie lip syncing.
|
Tripod.
|
Music.
|
Do you,
(Lip Syncing)
|
21
|
3h
|
INT.
|
White Room. (Bedroom)
|
MS of Debbie lip syncing.
|
Tripod.
|
Music.
|
Do you mean it?
(Lip Syncing)
|
22
|
3i
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INT.
|
Bedroom.
|
MS of Debbie lip syncing
|
Tripod.
|
Music.
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Do you,
(Lip Syncing)
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23
|
3j
|
INT.
|
White Room. (Bedroom)
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MS of Pierce who is sitting next to
Debbie lip syncing.
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Tripod.
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Music.
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Do you?
(Lip Syncing)
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24
|
4
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INT.
|
Front Door.
|
OSS of Debbie opening the door for Pierce.
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Tripod.
|
Music.
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So come tonight, run the lights, say
your close
Fuck these hoes, I want your time
|
25
|
4a
|
INT.
|
Stairs.
|
Walk through the shot with Debbie guiding Pierce up the stairs.
|
Tripod.
|
Music.
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Tees and sweats,
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26
|
4b
|
INT.
|
Bedroom front door.
|
TS of Debbie and Pierce (With him looking
into her eyes.)Turns into over the OSS.
|
Tripod.
|
Music.
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hair's a mess
|
27
|
5
|
INT.
|
Bedroom.
|
MS of Debbie
|
Tripod.
|
Music.
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Netflix's on
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28
|
5a
|
INT.
|
Bedroom.
|
TS of Debbie and Pierce.
|
Tripod.
|
Music.
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Still your eyes are glued to mine
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29
|
5b
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INT.
|
White Room. (Bedroom)
|
MS of Debbie
|
Tripod.
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Music.
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You understand me, and it's all I need.
(Lip Syncing)
|
30
|
5c
|
INT.
|
Bedroom
|
TS of Debbie and Pierce.
|
Tripod.
|
Music.
|
And that's that shit that like, like,
like, like, like
(Lip Syncing)
|
30
|
5d
|
INT.
|
White Room. (Bedroom)
|
MS of Debbie w/ Pierce walking into the
scene. (Debbie looking up)
|
Tripod.
|
Music.
|
A man who can open my mind, a man who
can open my mind
|
31
|
5e
|
INT.
|
White Room. (Bedroom)
|
TS of Debbie sitting down. Pierce sliding
down.
|
Tripod.
|
Music.
|
Is it wrong that I really, really,
really, really want you?
|
32
|
5f
|
INT.
|
Bedroom
|
TS of Debbie and Scott on the bed.
|
Tripod.
|
Music.
|
And there's no need to ask, you feel it
too
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33
|
5g
|
INT.
|
White Room. (Bedroom)
|
MS Debbie. Rapping.
|
Tripod.
|
Music.
|
Are you here to rescue me?
Are you here to go and get a check with
me? Are you here to pillow talk?
Or are you here to bounce and pull out
when this shit get hard?
|
34
|
5h
|
INT.
|
White Room. (Bedroom)
|
High Angle Shot of the leading man.
|
Tripod.
|
Music.
|
Are you here to make shit right
Are you here to loan me your chest when
I cry at night?
|
35
|
5i
|
INT.
|
White Room. (Bedroom)
|
MS Debbie. Rapping.
|
Tripod.
|
Music.
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Are you here to set me up, get me
hyped, turn around and just leave my life?
|
36
|
5j
|
INT.
|
Bedroom
|
MS of Pierce holding Debbie.
|
Tripod.
|
Music.
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I told him that's that shit that I'm
used to
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37
|
5k
|
INT.
|
White Room. (Bedroom)
|
MS Debbie & Pierce. Debbie looks down.
|
Tripod.
|
Music.
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Don't blame me for my issues
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38
|
5l
|
INT.
|
Bedroom
|
MS of Debbie.
|
Tripod.
|
Music.
|
He know deep inside I really wanna have
him
|
39
|
5m
|
INT.
|
White Room. (Bedroom)
|
Side shot of Debbie. Right
|
Tripod.
|
Music.
|
The little things what makes him so
attractive
|
40
|
5n
|
INT.
|
White Room. (Bedroom)
|
Side shot of Debbie. Left.
|
Tripod.
|
Music.
|
Got him opening and holding doors
|
41
|
5o
|
INT.
|
White Room. (Bedroom)
|
MS of Debbie.
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Tripod.
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Music.
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Touching me in places like a tourist
|
42
|
6
|
EXT.
|
Field.
|
TS of Pierce lifting Debbie.
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Tripod.
|
Music.
|
Music in Background.
|
43
|
7
|
INT.
|
White Room. (Bedroom)
|
MS of Debbie.
|
Tripod.
|
Music.
|
That's that shit that I like
|
44
|
8
|
EXT.
|
Field.
|
TS of Debbie and Pierce.
|
Tripod.
|
Music.
|
Music in Background.
|
45
|
9
|
INT.
|
White Room. (Bedroom)
|
MS of Debbie.
|
Tripod.
|
Music.
|
A man who can open my mind
|
46
|
10
|
EXT.
|
Field.
|
TS of Debbie and Pierce.
|
Tripod.
|
Music.
|
Music in Background.
|
47
|
11
|
INT.
|
White Room.
(Bedroom)
|
MS of Debbie.
|
Tripod.
|
Music.
|
That's that shit that I like
|
48
|
12
|
EXT.
|
Field.
|
TS of Debbie and Pierce.
|
Tripod.
|
Music.
|
Music in Background.
|
49
|
13
|
INT.
|
White Room.
(Bedroom)
|
MS of Debbie.
|
Tripod.
|
Music.
|
A man who can open my mind
|
50
|
14
|
EXT.
|
Gazebo.
|
TS of Debbie and Pierce. Walking towards
the camera
|
Tripod.
|
Music.
|
Music in Background.
|
51
|
15
|
INT.
|
Bedroom.
|
TS of Debbie and Pierce. Sitting on the
bed.
|
Tripod.
|
Music.
|
Music in Background.
|
52
|
16
|
INT.
|
White Room.
(Bedroom)
|
High Angle Shot of the Debbie.
|
Tripod.
|
Music.
|
Music in Background.
|
53
|
17
|
INT.
|
White Room.
(Bedroom)
|
High Angle Shot of the leading man.
|
Tripod.
|
Music.
|
Music in Background.
|
54
|
18
|
EXT.
|
Field.
|
TS of Debbie and Pierce. Walking away
from the camera.
|
Tripod.
|
Music.
|
Music in Background.
|
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